I have been using this sunblock for several months and it’s really about time that I write an assessment. I bought the product last December 09 during Kiehl’s Christmas party at Pavillion, I think. Note: I have finished using my Lancome UV Expert Neuroshield sunblock some time ago. When applied to the face, it can leave a slight white ensemble but it does not bother me a lot. The structure is very light as shown in the picture above. It can control oil to a certain degree.
My face becomes oily after 3 hrs roughly. It generally does not contain makeup base, so I have to apply a makeup bottom after applying this sunlight block. The purchase price isn’t very pocket friendly. I must admit that Lancome UV Expert Neuroshield sunblock is even more expensive. What brand of sunblock now are you using? Do you consider that only expensive sunblock works?
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- 8 years ago from Florence, South Carolina
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The amazing thing is that he attempts and sometimes succeeds in doing both simultaneously and in the same intensifying work: the same work that advances to conclusion of a painting, a masterwork by Cezanne. Danto bases his thinking on a radical distinction between the physical senses and what one might call the value senses: i.e. an aesthetic sense, a moral sense, and a feeling of laughter. For him, the sense of view is innate and can’t be refined, unlike the value senses.
So, on his view, viewing something is not tinged by ideals. But this is false. As Marx Wartofsky shows in his writings on historical epistemology, belief changes historically. There is no pure seeing: viewing is always “seeing as.” David Hume famously explained visual taste by displaying its continuities with physical flavor, in particular, flavor in wine. That is a good example that Danto does not follow. Danto insists that the sense of taste and the love of life are culturally conditioned. Fine, but this is also true for the physical senses.
Danto believes that the huge difference between the two types of “sense” (physical and value) is that regarding laughter for example we are responding to something because it is amusing. The idea is that in the worthiness senses we feature a value for an object and take action with regards to it.
Yet, in seeing, we are constantly linking the act of viewing with the take action of looking: the two cannot really be separated except theoretically. Seeing is tied to a variety of practical actions and evaluations. How could it not be? Danto says that having a sense of humor affects one’s life internationally: but then so too does just how one sees things, the texture of one’s perceptual life.